My work emerges from a fragile attempt to survive time, to listen to its pauses, detours, and repetitions. I build and reassemble hybrid machines made from old and new parts, where obsolete and current technologies coexist, fractured and transformed by the passage of time. These devices, once meant to capture and preserve, reveal their own instability. In freezing sound or image, they also let time slip through: dust, distortions, and small failures become traces of their persistence.

Each piece unfolds slowly, inviting a state of heightened attention. Time loops, stumbles, and overlaps; shadows and vibrations appear as signs of its hesitation. Each space becomes a vessel for time, where objects, light, and sound expose the fragile balance between stillness and movement.

I see these gestures as a way to question our relationship with what surrounds and transforms us, the mechanisms we build to contain time, and the limits that remind us of our own fallibility. Through this quiet choreography, I seek to open poetic spaces that resist acceleration, calling for observation and stillness. What remains is an invitation to linger — to sense what slips away, and to listen to what almost disappears.